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Everything All the Time , Band of Horses - buy at Amazon 9$99


audio downloads

 Funeral.mp3 (file size: 6MB)
 Album: Everything All The Time

 Bass Song .mp3 (file size: 6MB)
 Album: Everything All The Time

 Dingle.mp3 (file size: 6MB)
 Album: Everything All The Time

 Wicked.mp3 (file size: 6MB)
 Album: Everything All The Time

Im coming up only
to hold you under
Im coming up only
to show you wrong

and to know you
is hard we wander
to know you all wrong
we won

Ooooohh oooohh

Really to late to
call so be waiting for
morning to wake you
is hard begun
to know me as hard
be goin' mad
is to know me all wrong
(be mud)

and every occasion
ill be ready for the funeral
every occasion once more
its called the funeral
every occasion
of im ready for the funeral
and every occastion
of one billion day funeral

im coming up only
to show you down fled
im coming up only
to show you wrong

to the outside of the debby
the analouge
for days and countries
hang there long
(not sure if part right)


and every occasion
ill be ready for the funeral
and every occasion once more
its called the funeral
and every occasion
of im ready for the funeral
every occasion
of one billion day funeral



2006's Best: No. 5: Band of Horses

Everything All the Time , Band of Horses (Sub Pop)

Posted by Jonathan Tully at December 21, 2006 found at

When the year began, I was really looking forward to Built to Spill's new album, You In Reverse. They'd really grabbed me in the past, especially with their 2001 album Ancient Melodies of the Future.

Band of Horses Everything all the Time the funeralUnfortunately, You In Reverse didn't satisfy quite the same way. Instead, Band of Horses put out the kind of album I had expected, with Everything All The Time.

This is not to say Band of Horses -- made up basically of Seattlites Ben Bridwell and Mat Brooke -- sound exactly like Built to Spill. Bridwell's voice sounds a lot closer to My Morning Jacket's Jim James than Built to Spill's Doug Martsch.

It's just that Everything seems to have more of the spirit invested that Built to Spill had put into their earlier works than You In Reverse holds. (Plus there's that whole Northwest comparison, with Built to Spill being from Idaho and all. Kind of a reviewer's cliche, I know.)

There are several songs on Everything that grabbed me and took hold. The Great Salt Lake's guitar starts out low in the mix but leaps forward to ensnare you. Similar effects can be found on Wicked Gil, The Funeral and Weed Party.

Now, it'll be interesting if Bridwell can keep up the momentum -- Brooke decided to leave the band a few months back. But the band born from the former Carissa's Wierd is off to a great start.

The funeral Knockdown Drag-Out

Actually, Band of Horses Could Kick My Morning Jacket's Asses. Maybe.

I figured it out—My Morning Jacket's Jim James is actually Band of Horses vocalist Ben Bridwell with a wig on. They are the same person. This whole time, it's been a hoax, their separate identities—with fake tattoos, even. That's the only logical explanation for how similar their vocals are. So how can James play a show in a different city on the same night as Bridwell? Well, he can't. Okay, maybe James and Bridwell aren't the same person. But damn, those vocals are close.

The bands are surely getting sick of the comparison. Every Band of Horses article talks about My Morning Jacket; music writers can't describe Bridwell without referencing James. In a very quick cell-phone conversation, Carl Broemel of My Morning Jacket said, "We have nothing against Band of Horses at all. We wish 'em well." I asked him what he thought about the possibility that his bandmate could actually be Bridwell with a wig on, but then our reception died and the call dropped. He must have gone through a tunnel.

I have officially conducted my own unofficial survey to see if people can tell the difference between the two singers. Mano a mano, who would kick whose ass?


I set up my laptop in the University District, solicited 100 or so music fans who didn't know Band of Horses or My Morning Jacket, and played them songs from each band. Thirty percent thought it was the same band; 30 percent could tell it was two different bands, but couldn't tell who was who; 30 percent could correctly separate and identify each; and 10 percent didn't care. One guy was on crack—he got snot on my headphones and asked me if I had any Bell Biv DeVoe.

My findings conclude that it is undeniable: Bridwell's reverb and vocal delivery are similar to Jones's. But is that so bad? Singers are artists and artists have influences they pull inspiration from. And if we need to compare the two, because they're similar, why can't we?

What is also undeniable is that Band of Horses' beautiful songs have won over many fans. Phil Ek (producer of the Shins and Modest Mouse) did his usual quality job with their debut record, Everything All the Time. There is true craft and a compelling heartache—it is a great record. Bridwell's vocals are cold and shrilling, though still chilling in a warm, lonesome way. But is it a shrill that was already someone else's?

Who's to say? The debate and mystery remain. It's art, and there's no definitive way to do it. And if we are going to call out Band of Horses, don't we also have to call out a thousand other bands too?

How many bands sound like Radiohead, Led Zeppelin, or the Ramones? It starts to get all wound up. Doesn't Modest Mouse sound a lot like Built to Spill and Interpol like Joy Division? Don't the Lashes sound too much like the Strokes and the Strokes like Velvet Underground? Isn't Robert Pollard of Guided by Voices copying the Who's Roger Daltrey? Don't early Death Cab sound too similar to Built to Spill? Don't the Decemberists sound too much like Death Cab? And don't Band of Horses also sound like the Shins? And the Shins, shit, they definitely sound like somebody. Does all college rock sound the same? Are these just the trappings of classification?

Trappings aside, when a band or artist gets huge, they influence others. If a guitar player is way into Jimmy Page, listens to him for nine straight hours, and then picks up his own guitar, Page-like sounds will transpire. It's what artists do to learn. If I were to read Edgar Allan Poe for weeks on end, I bet I would be quothing a raven or two the next time I sat down to write. Look at painters—Van Gogh, the surrealists, the impressionists. Van Gogh practiced by painting Monet and other artists, and the impressionists fed off each other. Musicians are no different. At what point does being influenced by someone become ripping them off?

This is the part of the study where I turn again to the people for their opinions. I interviewed a local radio DJ, a local record-label owner, and a local musician, and asked for their thoughts on the My Morning Jacket/Band of Horses comparison.

The radio jockey loves Band of Horses. He acknowledges the similarities and admits that there are many people who think Bridwell's vocals are too much like James's. But he also says, "My Morning Jacket are Southern rock. Along with Kings of Leon, they are carrying the torch handed to them by Lynyrd Skynyrd and the Allman Brothers. Band of Horses are more folk-tinged, a freak folk. All that matters is if it's good."

The musician echoes the DJ's sentiments saying, "Band of Horses are not ripping off anyone. Listen closely—the bands sound completely different.

"Indie-rock fans are passionate about their music," she continues. "They like to stake a claim in a unique sound."

The record-label owner said the first time he heard BoH, he thought it was new MMJ. (Many people whom I talked to, in fact, thought BoH was new MMJ.) He was turned off by it. He really liked the production by Ek, but says, "It gets dangerous when a sound that has already been done is simply getting reproduced. I hear more After the Gold Rush–era Neil Young in the Band of Horses than anyone else. The '60s- and '70s-style reverbs are so classic, but the artists have to be careful to put their own spin on it."

This seems to be the crucial part of the discussion: Artists must be able to harness their influences and then add their own individual take on them; if nothing new is there, then the style or sound is simply mimicked. Musicians must either become themselves or they become something else entirely. As far as Band of Horses and My Morning Jacket, the future will show which direction the debate will take. For now, voids and vocal styles aside, I got 50 bucks that says Bridwell can take James down.

Everything All the Time , Band of Horses - buy at Amazon 9$99

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